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Also Sprach Parker
Casey Lee• Tangled up in guilt.
Commencement 2002 |
By sheer accident, a scrawny,
teenage nerd receives superhuman
strength, agility, and the
ability to scale walls and sling
webs. Does he now have a
greater duty to protect the innocent?
Spiderman is the latest movie
to chronicle the comic book
superhero’s bouts with evil villains
and himself. Directed by
Sam Raimi (Darkman, Evil
Dead), the film introduces Peter
Parker (Tobey Maguire) as
Spiderman. Like most comic
book characters, he has a love
interest, Mary Jane (Kirsten
Dunst), and a nemesis, the
Green Goblin (Willem Dafoe).
Raimi
adheres
closely to
the original
comic
storyline,
with a few
minor exceptions.
Peter
Parker receives
his
powers
from a genetically
enhanced
spider (it’s
radioactive
in the
comic) and shoots webs directly
from his arms (in the comic he
used mechanized webslingers
which required web fluid cartridges).
His first foe is the
Green Goblin, rather than The
Vulture, Spiderman’s first enemy
in the comic series. Most noticeable
is the absence of his
verbal quips and witticisms;
comic relief comes instead from
a timid and clumsy Peter Parker,
as well as from a ridiculous costume
he dons in a wrestling
match.
The action sequences
are standard and sub par; the
focus and intrigue of the movie
lies in what Peter Parker’s
newfound powers mean for how
he must now live his life.
Peter at first does what any
kid would do: He beats up Mary
Jane’s boyfriend, slingshots
himself across the city with his
webs, and plans to wrestle for
money to buy a new car with
which to impress Mary Jane.
Meanwhile, he fibs to his Aunt
May and Uncle Ben about his
whereabouts and begins to
come home late at night. His
uncle notices and chats with
Peter, giving him advice that is
repeated several times throughout
the remainder of the film:
“With great power comes great
responsibility.”
Ignoring his
uncle’s advice at
first, Peter neglects
to prevent a
robber from fleeing
the scene of
the crime. Soon
afterwards, his
uncle is murdered
and his car stolen.
In what becomes
the turning point
of his life and the
movie, Peter discovers
that the
murderer was the
very same robber
whom he had let
escape. From then on, he becomes
Spiderman, “your
friendly neighborhood superhero,”
fighting for justice, all the
while remembering his now deceased
uncle’s words.
Herein lies the movie’s greatest
flaw: though the phrase
about power and responsibility
is emphasized many times, its
supposed truth is never demonstrated.
Its impact lies in the
fact that his dead uncle spoke it,
not in its actual meaning. Blaming
his uncle’s death solely on
himself, Spiderman seeks justice
for others over happiness
for himself to rid himself of his
guilt. His sense of moral duty
and justice lie purely in his
uncle’s death; he establishes no
principles as to what justice and
morality really entail. Justice and
moral duty come dangerously
close to being mere means to
placate Peter’s grieving soul.
Spiderman’s
actions
react to
his
uncle’s
death, instead
of
reflecting
what he
had
learned
from it.
Further,
it is excruciatingly
difficult
to relate
to Spiderman’s decision. He
soon finds that his superpowers
are hardly a gift. There are no
rewards; in fact, he is demonized
by the press. His powers invite
conflict instead of deterring it,
and the lives of his loved ones,
including his Aunt May and
Mary Jane, are put into great
danger. At times, Spiderman
seems more to be torturing himself
rather than fulfilling a
newfound purpose. Combined
with the absence of a clarified
motivation for justice, the only
response is, “Why put yourself
through all this, Spiderman?”
Enter Norman Osborne, a.k.a.
The Green Goblin, who asks the
very same question. In a desperate
act to receive the military
funding necessary to save his
company, Oscorp, Norman
Osborne subjects himself to a
previously untested human enhancement
serum. Though the
experiment is successful, it results
in insanity and augments
his worst quality: the desire for
power. When he is unanimously
voted out of Oscorp, the Green
Goblin goes on a destructive
rampage. The Green Goblin cannot
understand why Spiderman
has chosen the life of a superhero.
If Spiderman’s motto is,
“With great power comes great
responsibility,” the Green
Goblin’s would be, “With great
power comes the fulfillment of
any desire.”
The Green Goblin approaches
Spiderman with an offer to team
up, cackling: “Imagine what we
could accomplish together!” In
effect, he presents Spiderman
with a common ethical dilemma
and demands to know why
Spiderman would choose justice
over desire. Predictably,
Spiderman rejects the offer, yet
gives no substantive justification—
he seems only repulsed
by the Green Goblin’s aesthetic
and nothing more. In a manner
unbecoming of a superhero,
Spiderman’s answer to the question
“Why not do what you
want?” is at best a mere whimper.
The Green Goblin predictably
seeks revenge, Mary Jane’s life
is predictably threatened, and
an obligatory final battle between
Spiderman and the Green
Goblin predictably ends in
Spiderman’s favor. Though the
Green Goblin’s actions and vendetta
are repulsively sadistic,
the film’s conclusion still gives
no reason as to why one’s possessing
power demands responsibility,
other than: “If
Spiderman doesn’t, who will
save us from evil?” Instead,
Spiderman gives a trite description
of how Uncle
Ben was
his true
father
and how
much he
regrets
not having
stopped
the man
w h o
killed
him.
It comes as no spoiler of the ending
that Peter, standing at his
uncle’s grave, unconvincingly
chooses the unrewarding life of
Spiderman over his greatest desire.
He makes this decision not
because of a determined and
inspired will towards justice, but
because he feels like he has no
other choice. Peter’s quest for
justice becomes a never-ending
atonement for the death of his
uncle. Insatiable guilt, not inspiration
and spirit, motivate his
greatness. Instead of offering
an inspiring vision of the hero,
we get a grim monologue describing
Spiderman’s future life.
The sole justification? Once
again, the overly cited yet still
very debatable adage: “With
great power comes great responsibility.”
Casey Lee is a junior in
Trumbull College.
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