Work-in-Progress Series
All lectures will be held in Rm. 106, Stoeckel Hall, 469 College Street at 12:30 pm unless otherwise noted.
Spring 2011
21 January
Karen Leistra-Jones
28 January
Carmel Raz
4 February
TBA
11 February
Stuart Duncan
18 February
Angharad David
25 February
Christopher Brody
4 March
Ian Quinn
25 March
Seth Brodsky
1 April
Asher Yampolsky
8 April
Joe Salem
22 April
Patrick McCreless
29 April
Lynda Paul
Fall 2010
17 September
Jonathan Guez
"You Hear What You Will; The Horns I Hear Them Still": Surface Versus
Structural Modulation in Act II, Scene 1 of 'Tristan und Isolde'
24 September
Michael Veal
Technotopia 1969: Miles Davis at the Crossroads
1 October
Grant Herreid
Folia, Chacona, Jácara: Reconstructing Popular Song of Golden Age Spain
8 October
Esther Morgan-Ellis
'And how they sang with him:' The movie theater sing-along at the end of the silent era
15 October
Jay Summach
The Structure, Function, and Genesis of the 'Prechorus'
22 October
Craig Wright
Mozart and the Kingdom of Back: An Oddity in his Cognitive Processes
29 October
Chris White
Scriabin Kites and Tritone Mapping in the Opus 74 Preludes
19 November
Kris Shaffer
'Neither tonal nor atonal': A statistical root-motion analysis of Ligeti's late
triadic works
3 December
Julia Doe
Recitative for the 'Peuple': Subversive Speech and Song in Early
Opéra-Comique
10 December
Aaron Judd
Politicizing 'Form' and 'Content' in Xian Xinghai's late works for orchestra
