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Power and Performance:
Theatrical Bodies and Persons
in Contemporary Bali


Yale University
April 17-18, 2006

Two-day residency of Lectures,
Workshops, and Performances
featuring
celebrated Balinese performers*

I Wayan Dibia
Ni Nyoman Manik Suryani
Ni Made Wiratini
Ni Made Pujawati
I Nengah Susila

and anthropologist, Mark Hobart


Monday April 17
2:30 - 3:45 P.M. - Lecture / Demonstration
From Page to Stage: Improvisation and Narrative
in Balinese Arja Theater

W.L. Harkness Hall, 100 Wall Street, Room 208
7:30 P.M. - Full length performance of dance and theatre
Legong and Arja:
Balinese Dance and Theatre in Performance

Iincluding a rare legong and a 40 minute Arja segment performed in Balinese with English translation.
Luce Hall Auditorium, 34 Hillhouse Avenue
Tuesday April 18
9:30 - 11:20 A.M. - Lecture / Demonstration
Gender and Embodiment in Balinese Performance

The representation of the three Balinese genders in dance and a detailed comparative look at the embodiment of gender in Java and Bali.
W.L. Harkness Hall, 100 Wall Street, Room 208
2:00 - 4:30 P.M. - Come and Learn
"Kecak- Ramayana Monkey Chanting and Balinese Movement Workshop"

Come and learn how to perform the exciting interlocking patterns of monkey chanting and try out some of the basics of Balinese dance.
Theater Studies Ballroom, 220 York Street
5:00 P.M. - Workshop performance of Kecak in the Common Room of Jonathan Edwards College, 68 High Street

Professor I Wayan Dibia is perhaps Bali's most celebrated dancer and a famous Panasar (senior servant); also Professor of Dance and Choreography at ISI (the Institute of Arts) Denpasar, and currently a visiting Professor in the Theatre Department at Holy Cross College in Worcester, MA

Ni Nyoman Manik Suryani is a senior instructor at ISI. She is known for both her range as a virtuoso dancer and as a professional Arja singer-dancer, including the role of Mantri Buduh, the mad king, which she plays here.

Ni Made Wiratini
is a senior member of the Indonesian Institute of Arts in Bali and has toured widely in Asia, the Middle East, Europe, North America and Australia. Her repertoire includes virtuoso dance and Arja.

Ni Made Pujawati is a leading young singer-dancer who is currently working on cross-Asian choreographies. In Arja she plays both servants and romantic heroines (also Researcher in Indonesian choreography at SOAS, University of London).

The gamelan will be lead by I Nengah Susila, a distinguished composer and musician, who is currently composing work for musicians from both the London Symphony Orchestra and the SOAS-based gamelan group Puja Semara Kanti.

The group will also include Dr. Mark Hobart, Director of the Centre for Media and Film Studies, SOAS; an anthropologist who has specialized in Balinese culture and theatre for over thirty years and who, with Professor Dibia, will provide relevant background on Balinese culture.


To request additional information, contact s.weiss@yale.edu

Co-sponsored by Yale University's Department of Music, Asian American Cultural Center, Department of Theater Studies, Department of Comparative Literature, Jonathan Edwards College, and the Council on Southeast Asia Studies