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Jonathan Gilmore
Assistant
Professor
106 CT Hall
(203) 432 -6942
jonathan.gilmore@yale.edu
Education
PhD
Areas of
Interest
Jonathan Gilmore writes in the philosophy of art, philosophy of law, and
the history of nineteenth- and twentieth-century European philosophy. His
research interests also include nineteenth-century French art and
contemporary art. He has a longstanding practice as an art critic for
such publications as Art in America,
Artforum,
and the Italian magazine Temaceleste.
Current or
Recent Courses Taught
* Directed Studies
* Freedom of Expression
* Nineteenth-Century Philosophy: Idealism and its Critics
Selected
Publications
BOOK
The Life of a
Style: Beginnings and Endings in the Narrative History of Art (Cornell University
Press, 2000)
ARTICLES
“Merleau-Ponty: Between Philosophy and Art,” in
T. Carmen, ed., Cambridge Companion to Merleau-Ponty
(Cambridge University Press, 2004)
"Internal
Beauty," Inquiry
(December, 2004)
“The
Philosophy of Art History,” Introduction to revised edition of
Arthur Danto’s Philosophical
Disenfranchisement of Art (Columbia University Press, 2004)
“William Kentridge/Monteverdi, Il ritorno d’Ulisse,
Artforum (June, 2004)
Review of Art History After Modernism by
Hans Belting, Artforum
(October, 2003)
“Censorship,
Autonomy, and Artistic Form,” in Holly and Moxey,
eds., Art History, Aesthetics,
Visual Studies (Yale
University Press,
2002)
Review essay on Art of the Modern Age: Philosophy of Art from
Kant to Heidegger by Jean-Marie Schaeffer and Hegel's Art History and the Critique of
Modernity by Beat Wyss, The Art Bulletin (v. LXXIV, no.
3, September, 2002)
“Pictorial Realism,” in Kelly, ed., The Encyclopedia of Aesthetics
(Oxford University Press, 1998)
“David
Carrier's Art History,” Journal
of Aesthetics and Art Criticism (winter, 1995)
Works in
Progress
"Expression as Realization: a Theory of Free Speech"
"Public Curiosity: Autonomy and Self-Representation"
"Formalism in Art and Law"
"Géricault's Medusa and the
Uncertainties of Form"
"William Kentridge: Projection and
Performance"
"Warhol's Minimalism"
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