the libertine
the whip sheet of the
liberal party
issue eleven / 14.04.2002
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a message from the
secretary Thus
the four liberal guests of the Yale Political Union have come and gone, and
they were all smashingly cool. In case you weren’t there for them: A mayor
encouraged lying to your opponents during debates to make them look stupid. A
super-Botoxed feminist snapped at the right’s desk-banging with “Let’s hear
it for secrets and shame!” A fetching environmentalist took on a strange boy
in a stock-exchange-green blazer. And, best of all, a former presidential
candidate shouted “Bitch, wake the fuck up!” Thank you, Steven and Gisčle,
for putting together such a marvelous leftist wave. Now,
some news: the Internal Revenue Service paid out over $30 million dollars for
nonexistent “slavery tax credits.” People filed their taxes and asked for
fictional returns—and they got them! The IRS is scrambling to get their money
back, of course. Apparently, you don’t even need reparations to be legally
enacted; ask, and ye shall receive. Wow,
was it a beautiful weekend. –j.s.f. |
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goings on in the liberal
party 15.04.2002
/ Monday / 05.30 / Lib dinner Join us in Commons under the portrait of George H.W. Bush. 18.04.2002
/ Thursday / 05.30 / JBB Dinner with Susan Rieger Our second dinner this week, and our second meeting of the Jonathan Brewster Bingham Forum this semester, will feature Susan Rieger, the dean of Stiles and an expert on capital punishment in America. If you’ve never been to a JBB dinner, I especially encourage you; you have the chance not only to hang out with me but also to talk to very intelligent leftists in an informal setting. Come hear her speak tonight in the Stiles Fellows Lounge. 21.04.2002
/ Sunday / 07.30 / Bulldog Days Lib debate You, too, were once a pre-frosh. Join us tonight for a lively (and popular) debate on an rabble-rousing topic: “America is a terrorist state.” Does the current government and the capitalist system encourage terror? Have recent military coups been justified? What is the role of the United States in the world, and how does the country view itself? Just what is terrorism? We will be tackling these questions—and perhaps a few pre-frosh too—tonight in the Calhoun common room. |
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apply to be a dwight hall
management fellow Lindsay Stradley asked me to forward this announcement to the Lib list. “APPLY TO BE A DWIGHT HALL MANAGEMENT FELLOW -- DEADLINE
TOMORROW!!! |
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thomas krens at the
architecture school If
you enjoy reading my Artist of the Left column, then you might be interested
in attending Monday night’s lecture at the School of Architecture. Thomas
Krens, the director of the Guggenheim, is a relentless capitalist who has
taken his venerable institution and transformed it into one giant store.
(Krens has a business degree, not an art history one.) While he’s certainly
put on a few good exhibitions, and while he spearheaded the construction of
Frank Gehry’s marvelous Guggenheim Bilbao, Krens has done more to remove art
from the art world than anyone working today. My socialist art history
professor has encouraged me to hiss during his speech; if you’d like to join
me, come to Hastings Hall Monday at 6:30. |
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She
is one part Wildean wit, one part Confucian epigrammatist, one part Orwellian
Big Brother, one part Marxian provocateur—and yet she is totally original.
Jenny Holzer, born in Ohio in 1950, studied painting in her home state and at
RISD, where she began to incorporate text in her compositions. In 1977,
however, she invented a new art form: her work Truisms, a sort of
high-art graffiti, consisted of pithy, incisive statements printed on white
paper that were anonymously plastered all over New York. Rising to prominence
at such a young age, Holzer unsurprisingly thought big, and she pulled off
some of the most startling and most memorable public art projects in recent
memory. In 1982, the Public Art Fund gave her access to a huge LED display in
Times Square, where she exhibited more of her left-leaning, always witty
statements: “When something terrible happens people wake up.” “Abuse of power
comes as no surprise.” “The old is soiled and disgusting by nature.” Since
then she has worked primarily in the medium of public neon displays, using a
trope of advertising—and thus capitalism—and subverting its intentions with
art. In 1990 she won first prize at the Venice Biennale, the first such award
for an American in a very long time. Using influences from Minimalism to Pop,
Holzer has created an artistically and politically consistent oeuvre that has
made her one of the most famous artists in the United States. |
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a final thought For o thing, sires, saufly dar I seye,
That
frendes everich other moot obeye, If
they wol longe holden companye. Love
wol not ben constreyned by maistrye. When
maistrye comth, the God of Love anon Beteth
hise winges, and farewel, he is gon! Love
is a thing as any spirit free. —Geoffrey Chaucer |