Woolsey
Hall
IV/197 by E.M. Skinner,
Hutchings-Votey
Organ Company,
J. W. Steere
& Son Organ Company,
Skinner
Organ Company,
The Woolsey Hall Organ (Newberry
Memorial Organ) was built in 1901 by Hutchings, improved mechanically and almost
doubled in size in 1915 by Steere, and entirely rebuilt and greatly enlarged
in 1928 by the Skinner Organ Company. Consultants
were Harry B. Jepson, university organist, and G. Donald Harrison.
One of the largest most outstanding instruments of this period, it has
been kept in excellent playing condition and is utilized throughout the academic
year for student organ recitals, organ crawls, gala events and concerts.
It is maintained by the Associate Curators of Organs, Joseph F. Dezeda,
and Nicholas Thompson-Allen.
GREAT ORGAN
61 notes ( |
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SWELL
ORGAN
61
notes, enclosed ( |
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1. Violone (6") |
32' |
61w |
HV/Sk |
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1. Gamba |
16' |
73m |
HV |
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2. Diapason |
16' |
61m |
HV |
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2. Bourdon |
16' |
85w |
HV |
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3. Bourdon |
16' |
61m |
HV |
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3. Diapason |
8' |
73m |
HV/Sk |
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4. First Diapason |
8' |
61m |
HV/Sk |
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4. Geigen Diapason |
8' |
73m |
HV/Sk |
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5. Second Diapason |
8' |
61m |
HV/Sk |
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5. Gamba |
8' |
73m |
HV |
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6. Third Diapason |
8' |
61m |
HV/Sk |
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6. Voix Celeste
II (draws #5) |
8' |
134m |
HV |
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7. Fourth Diapason |
8' |
61m |
HV/Sk |
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7. Salicional |
8' |
73m |
HV |
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8. Gamba |
8' |
61m |
HV |
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8. Aeoline |
8' |
73m |
HV |
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9. Erzähler |
8' |
61m |
Sk |
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9. Unda Maris [TC]
(draws #8) |
8' |
61m |
HV |
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10. Principal Flute |
8' |
61m |
Sk |
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10. Open Flute |
8' |
73m |
HV |
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11. Claribel Flute |
8' |
61w |
St |
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11. Flauto Traverso |
8' |
73m |
HV |
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12. Doppelflöte |
8' |
61w |
HV |
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12. Gedeckt |
8' |
73w&m |
St/Sk |
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13. Quint |
5-1/3' |
61m |
HV |
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13. Quintadena |
8' |
73m |
HV |
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14. Principal |
8' |
61m |
Sk |
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14. Flute Celeste
II |
8' |
134w |
Sk |
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15. Octave |
4' |
61m |
HV |
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15. Octave |
4' |
73m |
Sk |
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16. Waldflöte |
4' |
61w |
HV |
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16. Violina |
4' |
73m |
HV |
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17. Hohlpfeife |
4' |
61w |
St |
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17. Unda Maris II |
4' |
122m |
Sk |
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18. Tierce |
3-1/5' |
61m |
Sk |
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18. D Flute |
4' |
73w |
Sk |
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19. Twelfth |
2-2/3' |
61m |
HV |
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19. Twelfth |
2-2/3' |
61m |
Sk |
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20. Fifteenth |
2' |
61m |
Sk |
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20. Flautino |
2' |
61m |
Sk |
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21. Chorus Mixture |
V |
305m |
Sk |
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21. Tierce |
1-3/5' |
73m |
HV/Sk |
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22. Harmonics |
IV |
244m |
Sk |
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22. Quint Mixture |
V |
305m |
Sk |
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23. Cymbale |
VII |
427m |
Sk |
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23. Cornet |
V |
305m |
Sk |
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24. Trombone (10") |
16' |
61m |
Sk |
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24. Posaune |
16' |
73m |
HV/Sk |
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25. Tromba (10") |
8' |
61m |
Sk |
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25. Trumpet |
8' |
73m |
Sk |
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26. Trumpet |
8' |
61m |
HV |
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26. Cornopean |
8' |
73m |
Sk |
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27. Octave Tromba
(10") |
4' |
61m |
Sk |
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27. Oboe |
8' |
73m |
HV |
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28. Clarion |
4’ |
61m |
HV |
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28. Vox Humana (5") |
8' |
73m |
HV |
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Chimes (Solo) |
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29. Clarion |
4' |
73m |
Sk |
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Tremolo |
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CHOIR
ORGAN, enclosed ( |
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Chimes (Solo) |
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1. Dulciana |
16' |
73m |
HV |
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2. Violin Diapason |
8' |
73m |
Sk |
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STRING ENSEMBLE,
enclosed (ancillary, 10") |
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3. Cello |
8' |
73m |
HV |
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1. Orchestral Strings
2 |
8' |
146m |
Sk |
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4. Dulciana |
8' |
73m |
HV |
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2. Orchestral Strings
2 |
8' |
146m |
Sk |
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5. Flute Harmonique |
8' |
73m |
Sk |
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3. Orchestral Strings
3 |
8' |
146m |
Sk |
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6. Gedeckt |
8' |
73m |
HV |
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4. Orchestral Strings
4 |
8' |
146m |
Sk |
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7. Octave |
4' |
73m |
Sk |
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5. Muted Strings
1 |
8' |
146m |
Sk |
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8. Viola |
4' |
73m |
HV |
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6. Muted Strings
2 |
8' |
146m |
Sk |
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9. Flauto Traverso |
4' |
73m |
HV |
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7. Muted Strings
3 |
8' |
146m |
Sk |
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10. Harmonic Piccolo |
2' |
73m |
HV |
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8. Muted Strings
4 |
8' |
146m |
Sk |
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11. Fagotto |
16' |
73m |
HV |
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9. Cornet des Violes |
IV |
244m |
Sk |
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12. Corno d’Amore |
8' |
73m |
Sk |
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Tremolo |
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13. Clarinet |
8' |
61m |
HV |
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Tremolo |
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SOLO ORGAN,
enclosed ( |
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ORCHESTRAL
ORGAN, enclosed
(10”
wind, duplex on I & III) |
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1. Diapason |
16' |
73w |
St |
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1. Viole d’Orchestre |
8’ |
73m |
St |
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2. Viole |
16' |
73m |
St |
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2. First Viole
Celeste (draws
#1) |
8’ |
73m |
St |
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3. Diapason, 2
ranks |
8' |
146m |
St |
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3. Second Viole
Celeste |
8’ |
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St |
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4. Gross Gamba |
8' |
73m |
Sk |
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(draws #1 & #2) |
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5. Gamba Celeste
(draws #4) |
8' |
73m |
Sk |
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4. Muted Viole |
8’ |
73m |
St |
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6. Flauto Mirabilis |
8' |
73w |
St/Sk |
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5. Muted Celeste
(draws #4) |
8’ |
73 |
St |
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7. Stopped Flute |
8' |
73w |
HV |
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6. Kleine Erzähler,
2 ranks |
8’ |
73 |
Sk |
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8. Octave |
4' |
73m |
Sk |
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7. Concert Flute |
8’ |
73 |
St |
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9. Gambette |
4' |
73m |
Sk |
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8. Bios Celste
(draws #7) |
8’ |
134 |
St |
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10. Hohlpfeife |
4' |
73w |
HV |
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9. Orchestral Flute |
4’ |
73 |
Sk |
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11. Nazard |
2-2/3' |
61m |
Sk |
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10. Flute à Cheminée |
4’ |
73 |
St |
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12. Piccolo |
2' |
61m |
St |
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11. Nazard |
2-2/3’ |
61 |
Sk |
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13. Fourniture |
V |
305m |
Sk |
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12. Piccolo |
2’ |
61 |
Sk |
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14. Ophicleide (25") |
16' |
73w&m |
St |
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13. Tierce |
1-3/5’ |
61 |
Sk |
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15. Orchestral Trombone
(25") |
8' |
73m |
Sk |
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14. Larigot |
1-1/3’ |
61 |
Sk |
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16. Tuba |
8' |
73m |
Sk |
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15. Septième |
1-1/7’ |
61 |
Sk |
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17. Trumpet |
8' |
73m |
Sk |
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16. Dulciana Mixture |
V |
305 |
Sk |
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18. French Horn |
8' |
73m |
Sk |
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17. Bassoon (ext.
#20) |
16’ |
12 |
Sk |
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19. Heckelphone |
8' |
73m |
Sk |
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18. French Horn |
8’ |
73 |
St |
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20. Quint Tromba |
5-1/3' |
73m |
HV/Sk |
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19. English Horn |
8’ |
73 |
Sk |
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21. Tuba Clarion |
4' |
73m |
Sk |
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20. Bassoon |
8’ |
73 |
Sk |
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Tremolo |
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21. Orchestral Oboe |
8’ |
73 |
St |
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Chimes (27 notes, F-g’) |
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22. Corno di Bassetto |
8’ |
73 |
St |
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22. *Tuba Mirabilis
(25") |
8' |
73m |
Sk |
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Tremolo |
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23. *Trumpet Harmonique
(25”) |
8' |
73m |
Sk |
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Harp, 49 notes |
8’ |
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* unenclosed |
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Celesta, 61
bars |
4’ |
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Chimes (Solo) |
8’ |
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PEDAL ORGAN: 32 notes (aug., 6") |
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1. Gravissima |
64’ |
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ECHO ORGAN, Enclosed |
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2. Diapason (ext.
#6) |
32’ |
12 |
HV |
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(10” wind, duplex on I & IV) |
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3. Violone (Gt.
#1) |
32’ |
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1. Bourdon |
16’ |
73 |
St |
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4. Contra Bourdon
(ext. #10) |
32’ |
12 |
HV |
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2. Diapason |
8’ |
73 |
HV |
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5. First Diapason |
16’ |
32 |
HC |
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3. Dulciana |
8’ |
73 |
HV |
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6. Second Diapason |
16’ |
32 |
HV |
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4. Vox Angelica
(draws #3) |
8’ |
73 |
HV |
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7. Dulciana |
16’ |
32 |
HV |
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5. Voile d’Amour |
8’ |
73 |
HV |
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8. Violone (Gt.
#1) |
16’ |
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6. Cor de Nuit |
8’ |
73 |
St |
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9. Gamba (Swell
#1) |
16’ |
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7. Fernflöte |
4’ |
73 |
St |
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10. Bourdon (Gt.
#3) |
16’ |
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8. Trumpet |
8’ |
73 |
HV |
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11. Gedeckt (Swell
#2) |
16’ |
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9. Oboe Horn |
8’ |
73 |
St |
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12. Octave (ext.
#5) |
8’ |
12 |
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10. Vox Humana (draws Tremolo) |
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73 |
St |
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13. Principal (ext.
#6) |
8’ |
12 |
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Tremolo |
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14. Salicional (Gt.
#1) |
8’ |
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Chimes (Solo) |
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15. Cello (2 ranks,
Solo #4 & 5) |
8’ |
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16. Flute Bass (Gt.
#3) |
8’ |
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17. Still Gedeckt
(Sw. #2) |
8’ |
12 |
St |
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18. Super Octave |
4’ |
32 |
HV |
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19. Flute |
4’ |
32 |
HV |
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20. Mixture |
V |
160 |
Sk |
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21. Harmonics |
VI |
190 |
Sk |
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22. Bombarde (ext.
#23, 20” wind) |
32’ |
12 |
Sk/HV |
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23. Trombone (20”
wind) |
16’ |
32 |
Sk/HV |
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24. Bass Tuba (Solo
#14) |
16’ |
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25. Fagotto (Choir
#11) |
16’ |
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26. Quint Trombone
(Gt. #24) |
10-2/3 |
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27. Tromba (ext.
#23, 20” wind) |
8’ |
12 |
Sk/HV |
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28. Tuba (Solo #14) |
8’ |
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29. Clarion (Solo
#14) |
4’ |
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Combinations: |
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Couplers: |
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Choir
& Orchestral: 1-12, cancel |
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Swell
to Pedal 8’, 4’ |
Great
to Solo 8' |
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Great: 1-12, cancel Solo: 1-12,
cancel |
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Great
to Pedal 8' |
Great
to Solo 8' |
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Great
Echo: 1-5, cancel |
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Choir
to Pedal 8', 4' |
Choir
to Solo 8' |
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Swell
& Orchestral: 1-12, cancel |
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Solo
to Pedal 8', 4' |
Swell
16', 4' |
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Solo
Echo: 1-5, cancel |
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Swell
to Great 16', 8', 4' |
Choir
16', 4' |
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Couplers: 1-4, cancel |
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Solo
to Great 16', 8', 4' |
Solo
16', 4' |
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General: 1-10, general cancel |
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Choir
to Gt. 16', 8', 5-1/3', 4' |
Echo
On/Great Off |
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Pedal
and Echo Pedal: 1-10, cancel |
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Solo
to Choir 8' |
Echo
On/Solo Off |
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General: 2, 4, 6, 8 10, general cancel |
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Swell
to Choir 8', 4' |
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Pedal
and Echo Pedal: 1-10, cancel |
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Solo
to Swell 8' |
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Pedal
and Echo Pedal: 1-10, cancel |
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Pedal
to Swell (on/off) |
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Pedal
and Echo Pedal: 1-10, cancel |
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Pedal
to Choir (on/off) |
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Pedal Combinations |
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Pedal
and Echo Pedal 1-10, cancel |
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General
2, 4, 6, 8, general cancel |
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Great
to Pedal reversible |
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Swell
to Pedal Reversible |
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Solo
to Pedal Reversible |
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Sforzando
1 reversible |
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Sforzando
2 reversible |
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The string organ
is available on all manuals and pedal, the expression being operated from the
pedal controlling the division
upon which the String Ensemble is drawn. When drawn on the Great or the Pedal, the expression
is controlled by the
Orchestral swell
shoe. All unison stops are two ranks;
each extends to CC.
The present English Horn and Trumpet
Harmonique were installed by Skinner in 1931. In the same year the original
32’ Bombarde resonators, made of
wood, were replaced with resonators of metal.