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Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach

 

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Yo Tomita


Yo Tomita is Professor in Musicology at Queen’s University Belfast, Northern Ireland. His recent publication includes a new revised critical edition of the WTC II from G. Henle (2007) and an article entitled “Anna Magdalena as Bach’s copyist” in Understanding Bach (the web journal of Bach Network UK: http://www.bachnetwork.co.uk/), volume 2 (2007). He is shortly completing a two-volume monograph The Genesis and Early History of Bach's Well-tempered Clavier, Book II: a composer and his editions, c.1738-1850 for Ashgate publishing; he has just started working on The Baroque Masters: Bach for Ashgate Publishing and The Cambridge Bach Encyclopedia for Cambridge University Press.

Title: “Anna Magdalena as Bach’s Copyist”

 

 

 

 

 

 

 

 

 

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