Overview
This international symposium will explore ways in which medievalism and the Gothic style were incorporated into modern art, architecture, and design. Concentrating on Britain and the United States from 1900 onwards, the event interlaces shifting understandings of the sacred and religious traditions with discourses surrounding powerful and avant-garde notions of the Middle Ages as a rich material, literary, and ideological territory. Gothic themes will demonstrate how cross-disciplinary perspectives in theology and the arts increasingly underpin new thinking regarding modern transatlantic revivalism, cultural identity, rituals, and hermeneutics.
Schedule
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1:30-1:45 - Arrival and refreshments
1:45-2:00 - Welcome and introduction: Sally Promey and Ayla Lepine (Yale)
Session I - Edward Cooke (Yale), chair
2:00-2:30 - Tim Barringer (Yale) - Radical Neo: Vaughan Williams, Thomas Tallis and English National Identity in 1910
2:30-3:00 - Margaret Grubiak (Villanova University) - The Neo-Gothic’s Emotional Appeal: Recapturing Student Belief at Princeton University, 1928
3:00-3:30 - Coffee break
Session II - Karla Britton (Yale), chair
3:30-4:00 - Jongwoo Jeremy Kim (University of Louisville) - Medieval Monstrosity and Modernist Carnality
4:00-4.30 - Alan Powers (NYU, London) - Between Medieval and Modern: Architecture and Authenticity in Interwar England
4:30-5:00 - Katherine Solomonson (University of Minnesota) - Tribune Tower: Medievalism and Memory in the Wake of the War
Panel Discussion
5:00-5:30 - Respondents (c.5 minutes each):
- Barry Bergdoll (Museum of Modern Art, New York)
- Kathleen Curran (Trinity College, Hartford)
- Ayla Lepine (Yale)
- Robert Nelson (Yale)
- Jason Rosenfeld (Marymount Manhattan College)
5:30-6:00 - Discussion
6:00-6:45 - Reception
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