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Sacred
Music in Transition
Ethnomusicological Perspectives on Religion,
Ritual, and Society
A 2-day symposium at Yale and at Amherst
In an era of cultural, political, and ethical transition, sacred
music offers
individuals and societies throughout the world new possibilities
for charting
their futures by drawing upon their pasts. The scholars and musicians
who bring their work to this symposium interpret the new and complex
ways in which sacred music charts the transition of individual lives
and emerging nations in a changing world.
Presented by Yale Institute of Sacred Music and the Global Sound
Project at
Amherst College
Friday, October 20 at Yale University
| 1:00pm |
Welcome: Martin
Jean, Director, Institute of Sacred Music
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| 1:15-3:45pm |
Session 1: The Past Made Present
Session Chair: Martin D. Jean
Yale Institute of Sacred Music
Jeffrey Summit (Tufts University): Technology and the Transmission
of Oral Tradition in the Contemporary Jewish Community
Jeffers Engelhardt (Amherst College): Transition, Imagination,
and the Secular in the Sounds of Estonian Orthodox Christianity
Tore Tvarnø Lind (University of Copenhagen): Power
and Past in the Revival of Byzantine Chant at the Holy Mountain |
| 3:45-4:00pm |
Coffee & Tea |
| 4:00-5:30pm |
Session 2: The Sacred Postcolonial
in Southeast Asia
Session Chair: Markus Rathey
Yale Institute of Sacred Music
Marzanna Poplawska (Wesleyan University): New Christian Music
in Indonesia: Inculturation in Transition
Sarah Weiss (Yale University): Risqué Ritual: Making
Javanese Wayang Popular Today
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| 5:30pm |
Reception at the Institute of Sacred
Music
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| 8:00pm |
Concert – Center Church on
the Green
Program includes:
-A cross-section of Western Christian music performed by
the Yale Voxtet, James Taylor, adviser
-Chanting of Sanskritic mantras by Sheenu Srinivasan and
Joseph Getter
-Indonesian Christian music performed by Marzanna Poplawska
and the Wesleyan Javanese Gadhon (Gamelan)
-Mystical Sufi song with Ney performed by Yusuf Gurtas
-Klezmer music organized by Institute student Becky Wexler
(MAR 08) |
Saturday, October 21 at Amherst College
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10:00am |
Coffee |
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10:20am | Welcome:
Jenny Kallick, Amherst College |
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10:30am- 1:00pm | Session 3 – Trance,
Transit, and Transformation
Session Chair: Jenny Kallick
Amherst College
Richard Jankowsky (Tufts University): Healing/History/Alterity:
Sub-Saharans, Spirit Possession, and Music in Tunisia
Philip V. Bohlman (Yale University): The Poetics and Politics
of Papal Pilgrimage
Mirjana Lausevic (Amherst College): Ilahiya in Bosnia: From
Private Practice to National Symbol |
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1:00-2:30pm |
Lunch |
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2:30-5:00pm | Session 4 – Gospels
Resounded
Session Chair: Frank Reynolds
University of Chicago
Timothy Rommen (University of Pennsylvania): Traditional
Spaces, Transitional Sounds: Gospel Music and the Negotiation
of Proximity in Trinidad
Zoe Sherinian (University of Oklahoma): Transformative Christian
music: Transforming Caste Identity in South India
Stephen Marini (Wellesley College): Music, Media, Message:
Transitions in 21st-century American Protestant Sacred Song |
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5:00pm | Closing Reflections
Mark Slobin (Wesleyan University) |
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5:45pm |
Reception |
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6:15pm |
Dinner for participants |
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7:30pm | Concert – Buckley Recital
Hall, Arms Music Center
A Liminal Hymnal:
Tendrils of American Sacred Folksong
Performed by:
-Tim Eriksen (voice, fiddle, guitar, banjo)
-Shape-note Singers from the Pioneer Valley
-Students of Music 11 at Amherst College
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Speakers:
Jeffers
Engelhardt (Amherst College)
Transition, Imagination, and the Secular in the Sounds of Estonian
Orthodox Christianity
Philip
Bohlman (University of Chicago/Yale University)
The Poetics and Politics of Papal Pilgrimage
Richard
Jankowsky (Tufts University)
Healing/History/Alterity: Sub-Saharans, Spirit Possession, and
Music in Tunisia
Mirjana
Lauševic (University of Minnesota/Amherst College)
Ilahiya in Bosnia: From Private Practice to National Symbol
Tore Tvarnø Lind (University of Copenhagen)
Power and Past in the Revival of Byzantine Chant at the Holy
Mountain
Stephen
Marini (Wellesley College)
Music, Media, Message: American Protestant Sacred Song in Transition
Marzanna Poplawska (Wesleyan University)
New Christian Music in Indonesia: Inculturation in Transition
Timothy
Rommen (University of Pennsylvania)
Traditional Spaces, Transitional Sounds: Gospel Music and the
Negotiation of Proximity in Trinidad
Zoe
Sherinian (University of Oklahoma)
Tamil Christian Folk Music: Transforming Caste Identity in South
India
Mark
Slobin (Wesleyan University)
Closing Thoughts
Jeffrey
Summit (Tufts University)
Technology and the Transmission of Oral Tradition in the Contemporary
Jewish Community
Sarah
Weiss (Yale University)
Risqué Ritual: Making Javanese Wayang Popular Today
Registration
is optional and free.
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